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January 12, 2009

January 12 , 2009

I believe in not holding back.  There are examples--- both ephemeral and material in the world of how beautiful it is to not hold back ---- the exquisitely made world--- really excellent movies, books, food,  paintings , music , sculptures, architecture--- all show us that it doesn't pay off to hold back. It pays rather  to give it everything that one has within themselves to the piece, the project, the idea, the person ----every time. There is spiritual, creative and intellectual return for NOT holding back--- for pouring oneself out  because  what happens  is like the investment mold that is poured with molten bronze as the wax leaves  from the investment the  bronze fills all empty spaces  and is  new-- the space within is filled --- renewed. I believe in giving everything to what there is to be done, to imagine, to interact --I believe in the value of opulence-- the merit of the over done --- the weight of weightless beauty both in feeling and heart. I believe in the rushing toward and treading in where both fools and angels fear --- for the sake of  giving in--- giving over---giving everything in the moment, in the piece, in that conversation---- in that life time. I believe also in building up-- in moving toward--- filling up again so as to give again. I believe the reserves are renewable as long as they are given the time to regenerate, rebuild, revive , so as to  not remain reserved,  to not remain on hold but to be given over again. 

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a drawing a day

  • #350
    "Do not fail to do something everyday, for no matter how little, it will do you a world of good." Cennino Cennini I'm making a drawing each day for a year. Here are the rules: I have to make a drawing each day. That's it ... no more rules then that.

cut_paper

  • Margaret's Gate
    It feels like forever ago when I started cutting into my drawings to create a more layered and puzzle like image. I have always resonated with the idea of building an image" or "carving it out". The cut paper is interesting because for my practice it touches upon sculptural, painting and drawing sensibilities.

100 things

  • Birds #1-103 worked through
    The volume of work that it takes to get to 100. The cleanness of 100 . The marathon of thought and application it takes to achieve 100 of something has always had an allure for me . I made 100 drawings years go. I carefully numbered them. It was interesting. So I thought I would seek to "know" painting through making hundreds of things.

artists

  • Peter Gourfain
    It is hard to pin point any one artist that has influenced my practice , my vision . I always joke that it was the sisters at St. Anne's Catholic Church Saturday art classes that influenced my start. On the following pages is a "living" list of images that have come along to influence to generate ideas and to create approaches.

student art work

  • 2nd grade Overlapping Shapes Painting
    The following album is a collection of selected student works in progress and completed. We always have a great time in the studio/classroom. At times, it feels like walking through mud ... but when we arrive we all celebrate , sometimes quietly, the challenges that we faced and moved confidently through.